![]() “Translation? In this new, virtual-flesh-and-blood version of the film, the creatures that have assembled to pay their respects to Simba are essentially his breakfast, lunch and dinner. As Rafiki the mandrill hoists the newborn lion cub Simba high above a savanna full of Simba’s future subjects - adoring antelopes, gamboling giraffes and other worshipful wildlife - a heavenly choir sings about the ‘Circle of Life.’ Washington Post: “‘The Lion King’ feels way more like ‘Hamlet’ this time - and that’s why it’s so good” - “From the stirring first moments of Disney’s upgraded ‘The Lion King’ - a turbocharged animal fable that, like 2016’s ‘The Jungle Book,’ uses photorealistic CGI animation to add visual heft and emotional resonance to what was a charming, hand-drawn cartoon - it’s clear that this African-set narrative of a doomed king and his reluctant-prince son has tapped into a powerful well of myth. Also, the majority of the audience will know the story well–so there should be little cause for confusion.” Though there is some sameness when it comes to the lions’ coloring –the distinctive voices of James Earl Jones’ Mufasa, Donald Glover’s adult Simba, and Chiwetel Ejiofor’s sinister Scar are enough to distinguish them easily. ![]() ![]() The CGI looks so hyperrealistic that the audience will feel like they’re in Subsaharan Africa right along with the animals. “The craftsmanship in 2019’s The Lion King is breathtaking.
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